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cheap short ugg boots|chestnut ugg boots cheap short ugg boots,chestnut ugg boots,sundance ugg boots,ugg boots sale usa,uggs boots nordstrom,how to tell if uggs are fake or real 63 films reviewed Ratings are out of four stars. 12 Years a Slave (4 stars): Believe the Oscar buzz. Britain Steve McQueen (Hunger, Shame) nails the horror of America slavery shame but also finds humanity in one man determination to free himself and return to his family. Chiwetel Ejiofor towers as title slave Solomon Northup, a free New York State family man who is duped and taken hostage to the Deep South, there treated as chattel and worse. Michael Fassbender terrifies as the slave owner out to break Northup and others. They lead a topflight cast in a film sure to open minds as well as garner awards gold. He urges them to discover the truth about themselves by donning theme parkstyle animal costumes and going out into the world. Turns out singledad Leo, at odds with his teen son (Jacob Switzer), may be the chief beneficiary. The Armstrong Lie (3 stars):If you thought you heard it all when disgraced cycling star Lance Armstrong spilled his doping secrets to Oprah, then Oscarwinning doc maker Alex Gibney is here to set you straight. He unearths many more details and motivations behind Armstrong illicit deeds, including the multiple victims of his scams that few people know about. Originally planned to salute Armstrong successes Gibney was a fan the film coolly shifts into expos mode. It gets repetitive and runs long at 122 minutes, but Gibney gives the truth a full airing. The Art of the Steal (2 stars): The Canadian homage to starstudded 1960s art heist flicks like Topkapi has some amusing moments and sharp writing from Jonathan Sobol who also directs. The expansive cast includes Jay Baruchel, Matt Dillon, Kurt Russell, Terence Stamp, Katheryn Winnick and Chris Diamantopoulos. Nothing new here, but it is fun; Baruchel is hilarious making a border crossing in a ridiculous disguise. Bastards (2 stars): True to her flair for powerful images, Claire Denis latest opens with a naked and bleeding teen (Lola Cr walking with a blank expression on Paris streets. How the girl got there is just part of a twisting, nonlinear (and occasionally infuriating) payback narrative of a family unravelling while a sleazeball businessman tugs at the threads. The most noteworthy thing isn the pictures but rather the hypnotic soundtrack, a vibrant club mix. Beyond the Edge (3 stars) Canadianborn New Zealand director Leanne Pooley makes audiences feel they are making the tortuous and historic climb of Everest with Edmund Hillary and Tenzing Norgay with her gorgeous film about the first men to reach the summit in 1953. Thrilling and dramatic, Pooley couples rare archival footage and impressive dramatic recreation, aided by both Hillary and Norgay families. Screening in 3D. Blood Ties (2 stars): Good cop/bad con bros in 1974 Brooklyn makes for a fine clash between Billy Crudup and Clive Owen characters. But it a same old story of family friction, cowritten by James Gray with director Guillaume Canet (who costarred in the 2008 French original, Les Liens du sang). Marion Cotillard, James Caan, Lili Taylor and Zoe Saldana help crowd the cast of this cluttered story, which wisely has 17 minutes trimmed from the overlong 144 of its Cannes 2013 bow. Blue Is the Warmest Color (3 stars):Tunisia Abdellatif Kechiche took home the 2013 Palme d at Cannes in May for this comingofage lesbian romance and deservedly so. In an unusual honour, French actresses Ad Exarchopoulos, 19, and L Seydoux, 27, shared in the Palme citation for their passionate acting. Adapted from a graphic novel, Blue is intense and deep enough to justify its threehour running time. The sex is laid bare, but so are the utterly believable emotions. Blue Ruin (3 stars): The title refers not only to a plotdriving rusted Pontiac Bonneville but also the dangerously depressed mental state of beach vagrant Dwight (Macon Blair, superb), who is recklessly out to avenge a family tragedy. Ace genre entry makes sobering comments on America gun culture and payback mentality. Think Lynch meets Haneke in an absurdist flick that maintains its state of dread without fully tipping its hand. There humour, too, as twisted as a graveyard chuckle. Can A Song Save Your Life? (2.5 stars): This modestly engaging story of a burnedout drunken music executive (a charming Mark Ruffalo) who hopes his discovery of popfolkie Greta (Keira Knightley, showcasing a thin yet earnest singing style) can turn his professional life around, doesn grab the heart with the intensity director John Carney managed with lovely Irish drama Once. There no memorable Slowly type tunes, although the boycan plot is remarkably similar. Adam Levine of Maroon 5 plays Greta hollowhearted singing star boyfriend. Child of God (2 stars): Based on the novel by Pulitzer Prize winner Cormac McCarthy, actor/director James Franco looks at social isolation and the human condition through the eyes of Lester Ballard, a poor Tennessee outcast driven to necrophilia. Franco abilities as a filmmaker are amply demonstrated and Scott Haze performance as Lester is haunting if not particularly sympathetic. But this is a film that, given the subject matter, will court controversy as it struggles to find an audience. Set in 1985, it the factbased story of a Texas rodeo cowboy (Matthew McConaughey) who refuses to go quietly when his highrisk lifestyle of sex and drugs puts him at death door. He starts importing unapproved drugs and vitamins from Mexico to illicitly treat himself and other AIDS sufferers, making him both hero and felon. Script and pacing problems aside, the film is an awardsbeckoning showcase of McConaughey ferocious talents, matched only by his astonishing physical decline onscreen. Equally arresting is Jared Leto as his transgender sidekick, who looks past the arrogance and homophobia of his unlikely friend to see the decent person within. Le D (3 stars): Gabriel Arcand (The Decline of the American Empire) delivers a commanding performance as a taciturn Quebec farmer and devoted papa who runs into trouble as he dismantles his rural life to protect his two daughters, his from perceived bigcity threats. Devil Knot (2 stars): Twenty years and several documentaries after the horrific murders of three young Arkansas boys, we still don know the full story of what happened but we do know that three teens were wrongfully convicted in a modern witch hunt. Atom Egoyan focuses his dramatic lens on the case, casting Reese Witherspoon as a grieving mom and Colin Firth as a conflicted investigator, in a portrait of smalltown secrets and guilt that begs comparison to the director earlier The Sweet Hereafter. Don Jon (3 stars): Joseph GordonLevitt directing debut (he also wrote the script and stars) is a clever, highly amusing look at sex, love and the pervasive power of porn as seen through the eyes of Jon Martello Jr., a New Jersey bartender who loves the ladies, but finds nothing compares with the buzz he gets from the gals on his computer screen. Enter demanding bombshell Barbara (Scarlett Johansson), a bridgeandtunnel princess for the ages. Empire of Dirt (2 stars): Peter Stebbings (Defendor) directs this drama about three generations of aboriginal women haunted by a repeating past. Battling grandmother Minnie (Jennifer Podemski) and adult daughter Lena (Cara Gee) struggle to find enough peace between them to spare Lena 13yearold. She on the brink of repeating their mistakes. Newcomers Gee (a TIFF Rising Star) and Shay Eyre impress; Podemski is terrific as the matriarch. The F Word (3 stars): Director Michael Dowse (Goon, Fubar) has done what many have tried without success: a truly engaging and wholly entertaining Canadian romantic comedy. Toronto has never looked so good and plays itself in the story of medschool dropout Wallace (Daniel Radcliffe showing he got a long career ahead) and ideal foil Zoe Kazan as Chantry who truly believe men and women can indeed just be friends. Sure they can. Ed Harris demonstrates both his trademark masculinity as well as a vulnerability that makes his artist character, Tom, appealing. The tension builds as we await the inevitable moment when Nikki and Tom world will come crashing down. Fat (3 stars): Firsttime feature filmmaker Mark Phinney takes an oftendisturbingly honest look at what it like to be obese, with an ultralowbudget film based on his writings about his struggles both physical and emotional with weighing 300 pounds. Mel Rodriguez unselfconsciously plays the central character, Ken, with ferocity and plenty of righteous fury, occasional tenderness and humour. It will break your heart. A Field in England (3 stars): Historical dramas don normally come with warnings of images and stereoscopic sequences, but then we learned to expect the unusual from Britain Ben Wheatley (Kill List, Sightseers). His visceral muse takes him to a 17thcentury pasture, circa the English Civil War, where a small group of deserters seek ale and freedom but instead find hallucinogens and the iron fist of a satanic treasure seeker (Michael Smiley). Mad monochrome mayhem that utterly hypnotic. The Fifth Estate (2 stars): Bill Condon adopts the infodump approach of his subject, WikiLeaks, for this TIFF opening gala, combining elements of biopic, thriller and didactic documentary for a story that engages the mind but sometimes slogs. At the heart of it is a sterling performance by Benedict Cumberbatch as brash WikiLeaks founder Julian Assange, who takes the and be damned ethos to 21stcentury heights, shaking world governments with revealed secrets and lies, just a few clicks away. Filthy Gorgeous: The Bob Guccione Story (2 stars): Playboy raunchier rival, Penthouse, has duked it out for eyeballs with such Xrated stunts as the infamous centrefold Wars. Yet Toronto doc maker Barry Avrich bravely argues Renaissance Man status for late Penthouse founder Bob Guccione, seen in archival footage and discussed by family and friends. It a tough sell Guccione gold chains and Caligula film foray scream sleaze but the porn kingpin was an arresting figure nonetheless. For No Good Reason (2 stars):Portrait of the artist as a young (and old) gonzo. Charlie Paul approach to Hunter S. Thompson illustrator/coconspirator Ralph Steadman, his pen as mighty as his ego, wobbles between hagiography (especially when Johnny Depp is onscreen) and serious critique. The latter redeems the project. Steadman admits gonzo journalism had its face and that he and the late HST had issues (especially over matters of credit), but they also shared a weird kind of fraternal love. Gabrielle (3 stars): Qu filmmaker Louise Archambault presents a modern conundrum how we, as a society, treat people with development challenges in a sweetly unpretentious love story. Gabrielle (played by Gabrielle MarionRivard) and Martin (Alexandre Landry) are members of a choir who are also trying to live independent lives. They also love each other, to the consternation of others. Lovely performances bolster a story that confronts the issue with honesty and realism. The Grand Seduction (3 stars):A charming crowdpleaser and a rare remake that exceeds the original. Don McKellar English version of the 2003 Quebec hit about a doctorseeking village benefits mainly from an extraordinary cast. Irish actor Brendan Gleeson makes for a fabulous fabulist, as leader of a Newfoundland fishing harbor willing to say and do anything to seduce the sawbones (Taylor Kitsch) they need to land a badly needed factory and jobs. Gleeson almost upstaged by the accomplice antics of our own Gordon Pinsent; the pair make this a grand production. Gravity (3 stars):Not since 2001: A Space Odyssey has a film sovividly and realistically transmitted the feeling of being lost in space. Alfonso Cuar 3D lens captures the deepest blues of Earth and the midnight hues of space, powerfully affecting the senses. The film also works on a purely emotional level, with Sandra Bullock and George Clooney realistically depicting the plight of astronauts facing dwindling oxygen and rescue prospects after calamity strikes. Gravity isn scifi; it a sky high. cheap short ugg boots,chestnut ugg boots,sundance ugg boots,ugg boots sale usa,uggs boots nordstrom,how to tell if uggs are fake or real